hannesrumig.de

ABOUT WORK CONTACT

ABOUT

Crafting Ideas into 3D Realities

Responsive

Whether it's for marketing materials, prototype presentations, or e-commerce, I provide responsive, flexible service tailored to meet the unique requirements of your project.

Passion

Driven by passion for digital artistry and a commitment to precision. I offer comprehensive 3D services designed to meet the specific needs of each project.

Design

I specialize in product visualization, excelling in the transformation of concepts into high-quality 3D renderings that fully capture product design and functionality.

Support

Whether you're part of a postproduction team requiring detailed models and effects, or a direct client seeking to visualize a concept, I'm prepared to deliver exceptional results that meet your needs

Capturing Precision in Every Curve.

Elevating Braun's innovation through detailed 3D renderings, showcasing the sleek design and functionality of the BT7240 series and beyond. These images were also used significantly in designing the product packaging, contributing to a visually cohesive and appealing presentation

View more Works

WORK

A selection of commercials I had the pleasure of contributing to:

Client: Montblanc;
Project: Happy Holidays Campaign 2022;
Production Company: The Marmalade;
Producing: Max Boehlen;
Creative Direction: Daniel Göttling;
Art Direction: Katerina Schönfeld;
Visual Development: Markus Wagner;
Storyboard Illustration: Jörn Peper;
Illustration: Adrian Fernandez;
Animation & additional Illustration:
Markus Wagner, Roald Seeliger, Katerina Schönfeld;
Additional character animation: Philipp Kehl, Martin Lorenz;
3D: Hannes Rumig, Ursula Prieto, Dion Borutzky;
Compositing: Babette Kahn;
Sounddesign: Kay Peters;
;

I was tasked with processing the delivered CAD data, modeling, shading, and lighting, culminating in the rewarding opportunity to render the iconic Montblanc pen.

Client: Montblanc;
Project: Chinese New Year;
Concept+Direction: Demo Demo;
Production + Post: The Marmalade;
Audio: The Marmalade;
;
For the Chinese New Year project, I undertook the roles of processing the provided CAD data,
engaging in detailed modeling, refining shading, optimizing lighting, and ultimately had the honor of rendering the exquisite timepiece.

Client: Montblanc;
Project: Happy Holidays 2021;
Concept+Direction: Demo Demo;
Production + Post: The Marmalade;
Audio: The Marmalade;

For the Montblanc Happy Holidays project, my responsibilities ranged from managing CAD data and engaging in modeling and shading,
to lighting,
culminating in the joyful rendering of the visuals of the pen sequence Christmas-themed commercial.

Client: The Kraft Heinz Company;
Product: The Heinz Packet Roller;
Concept: Wieden+Kennedy NY;
Production + Post: The Marmalade;
Director: Lyndon & Todd;

Client: Wodka Gorbatschow;

Production + Post: The Marmalade;;

Wodka Gorbatschow with new design, featuring three flavors: Energy, Passion Fruit, and Lemon.
My task involved showcasing the new design, adding some finishing touches, and rendering.
Enjoy best chilled or with ice! Gorbatschow Mixed – The ice-cold long drink.

Client: Ferrero;
Product: tic tac;
Production + Post: The Marmalade;;

In the ever-evolving world of pocket-sized refreshments,
Tic Tac stands out as a maestro of minty and fruity delights.

With their iconic little boxes, they've taken the art of fresh breath and sweet indulgence to new heights.;

In this project I was responsible for modeling and texturing the iconic little box and the labels.

Client: FERRERO;
Product: Mon Chéri;
Concept: FERRERO Pubbliregia;
Production + Post-production: The Marmalade;
Director: Karina Taira;
;
My role encompassed the modeling, texturing, shading, lighting, and rendering of the packaged product.

Client: FERRERO;
Product: Mon Chéri Orangefusion;
Concept: FERRERO Pubbliregia;
Production + Post-production: The Marmalade;
Director: Karina Taira;
;
My role encompassed the modeling, texturing, shading, lighting, and rendering of the packaged product.

Client: OLAY;

Production: The Marmalade;;

In the visually captivating campaign for OLAY Retinol Regenerist,
I had the unique opportunity to light and render the packshot featuring Kristina Vogel,
the esteemed German track cyclist and two-time Olympic champion.;

The focal point of my role was to ensure that the packshot perfectly encapsulated the qualities
of OLAY Retinol Regenerist while also complementing Kristina Vogel's dynamic and inspirational image.

Client: OLAY;
Project: Steamroller;
Postproduction: The Marmalade;
;

In the Olay steamroller commercial,
my role was focused on creating the superimposed statements that represented the competitive edge of Olay over its rivals.
Witness the defining moment where high-end meets high-value in this visual spectacle.;;

Client: Kroger;

Production + Post-production: The Marmalade;;

I was involved in modeling and Rendering.

Client: Braun;
Production: The Marmalade;;

Through the power of 3D technology, we've seamlessly replaced the original shaver with a meticulously crafted 3D model.
With precise motion-matching, expert texturing, shading, and lighting,
the final composition effortlessly blends the real with the rendered, showcasing the harmony of technology and realism.;

Client: Procter & Gamble;
Product: Head & Shoulders Supreme;
Concept: Saatchi & Saatchi New York;
Production + Post-production: The Marmalade;
Music: Butter NY;

In the Head & Shoulders commercial project, my key responsibilities involved 3D modeling and texture application of the product range.
My task started with accurate 3D modeling of the Head & Shoulders bottles and tubes, focusing on replicating their physical dimensions and design details precisely.

Subsequently, I applied high-quality textures to these models, aiming to realistically represent the materials' look and feel, ready for use in the commercial’s next stage.

Client: BRAUEREI C. & A. VELTINS;

Production + Post-production: The Marmalade;
;

The scope of my role covered modeling, texturing, shading, lighting, and the final rendering process.

Client: BRAUEREI C. & A. VELTINS;

Production + Post-production: The Marmalade;
;
Modeling, texturing, shading, lighting, and rendering were the key components of my work responsibilities.

Skills

My toolkit includes a proficient use of Rhino 3D for precision modeling, Houdini for procedural workflows, Karma and Redshift for Rendering and more recently the Unreal Engine for real-time rendering and immersive environments.

While Softimage XSI, a tool I previously relied on heavily, is no longer in production, the expertise I gained from it still informs my work.

Alongside these 3D tools, I enhance textures with Photoshop and possess basic skills in Nuke for compositing, ensuring a comprehensive approach to 3D postproduction.

CONTACT

Lets get in touch. Send us a message:

Hamburg, Germany

Phone: +49 174 3000 575

Email: info@hannesrumig.de

IMPRESSUM / LEGAL DISCLOSURE

Imprint Information

Inhaltlich Verantwortlicher gemäß § 18 Abs. 2 MStV:

Hannes Rumig

Eimsbütteler Str. 119

22769 Hamburg, Deutschland:

E-Mail: info@hannesrumig.de

Telefon: +49 174 3000575

USt-ID: DE266374643

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Responsible for content in accordance with Section 18 Paragraph 2 MStV:

Hannes Rumig

Eimsbütteler Str. 119

22769 Hamburg, Germany

Email: info@hannesrumig.de

Phone: +49 174 3000575

VAT ID: DE266374643

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